197. Finding King Richard III with Philippa Langley (Part 1)
Welcome, I'm your host, Greg McEwen, and I am here with you on this journey to see if
we can't understand more so that we can contribute more.
Have you ever felt an intuitive insight pull you towards a particular direction?
Have you ever had an experience that you knew was right even though you didn't yet have
evidence to support it?
Well today is part one in a two-part series with Philippa Langley.
You might not know that name, but perhaps you've heard of a movie that came out recently,
it's called The Lost King.
It's a dramatic representation of a true story about how Philippa felt an extraordinary desire
to discover where King Richard III was buried.
Her journey is fascinating.
He is the real thing.
Let's get to it.
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Philippa, welcome to the podcast.
Thank you for having me, Greg.
Thank you.
Let's start from the beginning.
What motivated you to embark on this search for King Richard?
It actually began with a book and it was by the American academic Paul Murray Kendall.
Reading this book, it was a real surprise to me because I hadn't studied Richard III
at school.
I presumed that Shakespeare's Richard III was who this man was.
What Murray Kendall did was he went back to the source material from Richard's own lifetime
and spoke about a very different kind of man, a man who was loyal, brave, devout and just.
So it was a 180 from Shakespeare and that fascinated me because I couldn't understand
why we always told Shakespeare's version of Richard's story and never his historical
story.
It seems to run like a golden thread through both your book about this journey and also
the movie The Lost King.
While on the surface, it is a journey about searching for his burial spot and of course
at some point it's about that.
It seems to be also about this deeper subject of actually understanding him and helping other
people to understand who King Richard really was.
Can you speak to that?
Yes.
It's about using research.
It's about using evidence-based information rather than we have two dramatic narratives.
We have Shakespeare's dramatic narrative and Thomas Moore's dramatic narrative.
But where I felt and by this point I was a member of the Richard III Society who is the
leading organisation in terms of knowledge about Richard III, we do believe that the
basis for any discussion about Richard needs to come from the materials from his own lifetime.
What we know from that.
That was a good basis for me.
That was a good start if you like in terms of doing any kind of research is go right
back to the moment to ground zero if you like.
David McCullough, who recently passed away, is one of the celebrated historians in the
United States even though he wasn't trained as a historian.
That's part of the magic I think for him because he just didn't know anything about
any of the subjects he wrote about until he got curious, had a question that pulled him
and then went back to original sources to really learn what really happened, not whatever
people generally believe about the subject.
But he had to have some sense of calling or some pull towards the subject.
And Matt, I'm curious about that for you.
I'm putting words in your mouth to correct me, but it seems like you must have felt a
particular poor, a particular call to do this.
Is that true?
I think that yeah, there was a number of things.
A, he lived in a period of history that I found fascinating anyway.
It was a really interesting period of history.
But also there's the getting to know this individual himself because so much happened
during his lifetime.
It was really fascinating for me to really lift the lid on that and to see what, what
really went on.
But I think you're right.
I think if you don't go through, because I didn't go through the official academic
channels, I didn't go through university to study to become a historian.
So in a sense, I didn't bring all of that baggage with me.
I didn't need to repeat what my professors had told me.
And one of the things that young historians who get in touch with me, and it's a very
interesting point, is that they're studying at university.
And in some of our leading institutions, and they will remain nameless, but for some historians
who've been in touch with me, young historians say they are told to find new ways to say the
same things.
So I don't agree with that.
I think that you need to question.
I think instead of repeating what went on in the past, you need to question.
Because by questioning and really doing a deep dive into a subject, this is when you'll
make discoveries.
I want to come back to that point in a moment.
For people that aren't familiar with your story, can you just share what happened to
you on this journey?
Yeah, coming back to that last question you gave me, I would also like to add that I think
reputation is important.
Somebody's reputation, whether they're alive or dead, is, and I think it was the patron
of the Rich the Third Society, the current Duke of Gloucester, he said that reputation
is worth fighting for.
It's esoteric, but it is worth fighting for.
So I just wanted to drop that into your last question.
So quick overview is somebody who was researching Richard III interested in his life, then a
sequence of events changed that research focus to then looking into his death and burial,
which is a very difficult thing because there was a lot of mythology out there about the
fact that the church was under buildings and a road, so it was inaccessible.
Richard had been buried in this church, but also that his remains had been thrown into
a river.
So the grave was not there, but because of an intuitive experience that I had in the northern
end of this car park, and then because of the research that I then did into what I could
find out about what had happened to the church where Richard had been buried, put that all
together and that led to me wanting to go into search of Richard III's grave.
So it was the first ever search for the lost grave of an anointed King of England.
Amazing.
And it took eight years from beginning to end.
It took me eight years.
And when you say it took you eight years, that means for those again, not familiar with
the story that you did in fact find the grave of King Richard.
It is from my point of view a most remarkable moment before you know tangibly his burial
spot.
You are standing over his burial spot, but it's in a car park and there's no proof that's
where he is, but intuitively you know that's the spot.
Can you talk about that moment?
Yeah.
This was in 2004, and this is when I was researching Richard's life, and I was walking
around the large grave friars precinct area, which is where the former sort of grave friars
used to be in Medge Evil Leicester.
And of course it's all, but it all now gone because of the dissolution of the monasteries.
So this was, this wasn't a really large area, you know, probably five international football
fields in the center of Leicester.
And I walked into, well, I walked a lot of places, but I ended up walking into the northern
end of this particular car park.
And by a Victorian red-bricked wall, I had this intuitive experience.
And the only way I can describe it was it was a warm spring day, and I was freezing cold.
I was covered in goosebumps.
I was rolling with goosebumps.
And it felt that I was walking on King Richard's grave, and I do know how unusual that sounds.
So it was a wholly unexpected experience.
I went home, told my friends and family about it, and remarkably, they weren't dismissive.
And they said, look, maybe it means something.
So the following year, I went back to the northern end of this car park, because I wanted
to check if it had been real, if that experience had been real.
And I had the exact same experience in the exact same place.
But this time I saw a letter R on the tarmac, clearly for reserved parking.
But that was the catalyst.
That was it then.
That's what changed my research focus at that moment.
And the strange thing was throughout this eight-year journey, every time, every single
time I was in the northern end of that car park and near the letter R, I had that same
intuitive experience.
It never went away.
And I think that was one of the reasons that compelled me to make the dig happen, that
I just couldn't let it go.
And I think that together with the research that I then did, it gives you a laser focus
on a very particular subject.
And I think that laser focus was really interesting for me, because I could see a lot of interesting
research which suggested that the location of the church could be in the northern end
of this car park.
But I think what was equally important was I couldn't find anything in all of the research
I was looking into that challenged that view.
So I couldn't find a stopper, if you like, which said you're not in the right course.
Give it up.
What do you think that intuition was?
Good question.
I don't know.
And I've had scientists who've been, you know, when I give talks, I've had scientists
in the audience.
And they have come up to me and said, you know, look, Philippo, we can see that you did your
research.
It was very logical.
It was very reasoned.
But it all began with this intuition.
And they said that, you know, as scientists, we go down the logic, the reason route, and
we follow the evidence.
But sometimes when you're coming against a brick wall, sometimes we take a left turn.
We take a new turn and we do it purely on intuition.
We think, OK, this isn't leading anywhere.
What if we try this?
And it doesn't make any logical sense, but we still do it.
And they said, in many cases, once you take that sideways step, that intuitive step, that's
when the discoveries come.
And I've asked a number of scientists, and a number of scientists are actually looking
into what intuition is, because it's certainly something.
I mean, we are sentient beings.
And I think it's important that, A, we don't ignore that fact, but B, that we use all the
arsenal that you've got available to you.
And if intuition is one, a part of that arsenal with logic and reason, then I think my story
is a powerful story for bringing all of those aspects together in one and not being frightened
of or wary of the intuition side of things.
But as to what it really is, well, we know with the discovery of Tutankhamun that was
involved in tuition, the discovery of Sutton Hu by Edith Priti, that involved in tuition.
Is it a thing?
Maybe one day our scientists will know more and can tell us more.
What you're saying is, one, this is my story.
This is what happened.
So it is manifestly evidence in your own journey of discovery of King Richard's grave.
Number two, it's given that it is a thing and it did help.
It's permission for other people to utilize it along with other capacities we would use
for problem finding and problem solving.
And I think if I'm hearing you write something under the surface like, this is underutilized
it's underappreciated, it's under emphasized.
And yet it was absolutely critical for you in this journey because it was that that gave
you, as you've called it, the laser focus.
It was that that gave you the courage, I suppose, to just keep pursuing that direction
when other people wouldn't have done it.
Am I hearing you write?
Yeah, absolutely.
I think when you go back to when my journey started with this 2004, 2005, when I eventually
got the tarmac cut in 2012, it was very different days then.
And I think there was a lot of denigration for things like intuition.
I think we're changing.
I think there's been a shift and I think people are now taking it more seriously and not dismissing
it.
And I think my story has probably helped that to some degree because I think when Richard
was found and I told my story, I had huge abuse for it.
I was deemed as a slightly unhinged, emotional person who should never have got involved
with a scientific project.
But it's very different now.
I think we've kind of turned a corner.
And again, it's what I said, it's part of an arsenal.
It's something that is a benefit.
I certainly, it's worked for me and I would continue to use intuition for sure, definitely
in all my research.
There's two points there.
The first, you just clarified something that when you first stood in that car park, that's
the very, very beginning of the journey.
I didn't realize that.
So it was eight years after that moment that you actually did the dig there.
So it wasn't like halfway through or towards the end, it was close to the impetus of this
journey that you were on.
Yeah, it definitely was the impetus to search for Richard.
I know in the film, they put it in the center of the movie because it works dramatically
that way.
But in real life, in my book, that was the catalyst.
The impetus moment.
It's an amazing clarification.
And then now this other element that people really ridiculed it, ridiculed you for sharing
that insight.
Can you tell us more about that opposition that you felt to the feeling, to the intuition?
Yeah, so I wrote a book about my search for Richard III.
And when I was writing the book, I remember sitting there and thinking to myself, okay,
do I make this public?
Do I tell people about how it went away?
Am I going to be honest about the journey?
And I thought, I have to be honest, this is my story and I have to tell it come what may.
But I did know that there was probably going to be some form of backlash because when I
was writing the book and expressed what I was telling the full story to my family, they
were a bit wary of that and my publisher was wary of that too.
But I just had to do it.
And I think now with hindsight, I'm pleased that I did that yes, I did go through some
of that abuse.
But perhaps it's helped.
The book you're referring to has now been republished with the launch of the movie.
It's called The Lost King, The Search for Richard III.
Did you get the opposition after the book was published?
Was there kickback about it at that time?
Or was it just when you were telling people about it as you were trying to actually search
for his grave?
It was after the book was published because in terms of the search for Richard's grave,
I didn't tell anybody about what had happened to me in terms of the catalyst and the intuition.
I only told very close friends and family because I think one of the things you have
to remember was I was going to specialists, a number of specialists because I needed an
archaeological team.
I needed people to do the DNA analysis if we discovered Richard.
And I'm not a doctor, I'm not a professor, I'm not a scientist, I'm not a specialist,
I'm an ordinary person.
So I think giving them that information would have probably been deeply damaging to the
process and to the potential of getting the project off the ground.
But I think putting it in the book because I was working with scientists at a university
and then people sort of judge you on that basis.
So I'm not a doctor, I'm not a professor, I'm an ordinary person and therefore I'm a
bit of an oddity.
I'm a strange person who somehow got involved in this scientific project.
So that's how it was initially for me, for sure it was.
Well, you're describing, I think, a pretty serious cognitive bias and cultural bias because
the fact, and I know something of what you speak, but the fact that you felt clearly
that if you were to say it to the serious professors, to the serious academics, that
they would not take you seriously, shows that you felt that bias just in the air, in the
tone of the conversations that you were having.
And then I know something of that moment when you're writing a book and you pause in your
telling of the story and you say, really?
Am I going to share this?
Am I going to put this personal thing out there?
I'll never be able to take it back.
Anyone will be able to read that.
This part of my private life will be available to anybody.
And I suppose you must have had an intuitive moment about that most intuitive moment.
Yes, I think so.
I did.
Well, I just felt it wouldn't be right for me to not tell the full story.
Yeah, it would be intellectually dishonest to not tell about the intuitive part of your
problem-solving journey.
Yes, yeah.
Because then I couldn't make any sense of why I was laser-focused on the Northern
end of that car park at the archaeological dig.
Right.
Because that was my hotspot.
That's where I wanted to know exactly what was going on in the Northern end of this car
park.
You used an interesting word just then.
You used the word hotspot.
And why that's interesting for me is because I've spent the last 25 years preparing to
write a book that I'm writing right now, finally.
And it's about getting to the heart of the matter.
Getting to the very core of the right problem.
And sometimes I have experienced that when I'm listening to someone, for example, and
trying to get to the very, you know, that exact, well, what I call it, is a red button
that somehow amongst a lot of complexity, a mental diorama, you find that there's something
right down underneath the surface hidden way down some little thing, a red button.
And that's the key to unlock everything else.
And so for you to call that the hotspot, it just sounds exactly analogous to that red
button, that there's something right underneath.
No one can see it.
It's not obvious, but somehow part through exploration, part through curiosity, and then
part through intuition, you can identify something small, infinitesimally small, but
as it turns out, infinitely important.
This sound right to you.
It does.
It absolutely sounds right because by discovering Richard's grave, we now have moved on exponentially
in terms of knowledge about Richard and in terms of the research that's being done about
Richard and certainly in interest in Richard as well.
But also, I think when I was looking at the researchers to where the church was, there
was 17th and 18th and 19th century accounts, which confirmed that the grey friars' priory
was opposite St Martin's Church in Leicester.
And St Martin's Church today is the Cathedral, Leicester Cathedral.
And directly opposite Leicester Cathedral was the northern end of this car park.
So for me, when I was looking at this research, churches were very, and still are, very important
places and landmarks.
And so for me, when they're saying that grey friars' priory is opposite St Martin's Church,
they're not saying the kitchens or the orchard or whatever else there may be, they're talking
about the church.
And again, that was that laser focus because I think everybody else, until that point,
said we don't know where the church is because it just says priory.
So it was that small, that very small difference that for me changed things.
Yes, I didn't really anticipate spending so much time asking you about that moment,
although it was very much on my mind.
But it's like we can't get away from it in the story.
We can't understand the journey you had at all without coming back again and again to
that because even though it was all validated by your other research, you would not have
tried to validate it without that first intuitive moment and that repeated intuitive moment,
a sort of assurance that this is the place, this is exactly where it is again and again.
Being not obvious, something unseen that is assuring you, this is the right path.
Keep going, keep going towards this.
Yeah, and I think at the dig, once the dig started and we cut the ground, it was being
filmed, we had a documentary film crew there the whole time.
And I had a mantra which I kept saying all the time on screen and off screen and it was
church, road, church, because they kept saying to me, why are you so focused in the northern
end of this car park?
Why is this where you need to know about?
And that was what I would say all the time.
I said, look, it looks like it's church, road, church.
That's what I can see from my research.
Were there people real time pushing back against you doing the dig in that location?
Yes, there were, it wasn't so much the location, it was pretty much the dig per se because
the most of our leading historians had written before 2012 that Richard's grave wasn't there
and he'd been thrown into the river saw.
So it was the bones in the river story.
And strangely, it was also written on the exhumation license by the archeologist three
days before we exhumed the remains in trench one.
This story was so powerful and so believed that any search for Richard's graves just
looked like an odd search because surely he was in the river.
And I think in terms of the archeologists, when I expressed to them that I wanted to
go in search of Richard's grave, it wasn't something they said, we don't go in search
of one particular thing.
And I had to convince the lead archeologist, Richard Buckley, to come and do the archeology
because he has a fascination with churches, medieval churches.
So he felt he had comfort academically to go in search of the church rather than a one
particular thing such as King Richard's grave.
So Richard went in search of the church, I went in search of Richard's grave.
You mentioned something a moment ago and I wanted just to understand that Betty.
Who wrote what about where Richard's bones were three days before the dig?
Yeah.
In order to be able to exhumed human remains, you have to fill in what is called an exhumation
license.
The archeologists have to fill in an exhumation license.
And on the first day of the dig and the first hours of the dig, the very first find was
lower leg bones beside the letter R in our first trench, it was the very first find.
And so again with my laser focus as the client, I wanted these remains to be exhumed.
Even though at that point the remains were not thought to be in the choir of the church
where Richard was supposedly buried.
They thought that it was a friar and that he was in the nave of the church.
So once I'd paid, asked for, instructed and paid for exhumation, the archeologists then
fill in this form, send it to our government, the Ministry of Justice, to say we want to
exhumed human remains.
And they have to explain why they want to exhum them.
And on the exhumation license they expressed that it's a dig for the grave for his church,
but there is the potential to look for the lost grave of Richard III, which is highly
unlikely that he will be here because his remains were thrown into the river.
But we do want to exhumed some remains.
So they're on literal record stating the dominant narrative of where Richard lay.
Yeah, yes, aha.
And understandably so because most of our leading historians had said that.
So you could understand that.
It's an interesting narrative about narrative that once narrative gets established, it can
make any other narrative hard to explore or hold on to because everyone just believes
the narrative they've been told, even without evidence, that's just the story.
Is there a lesson here for other people who are trying to solve problems and try to make
their own discovery?
Definitely.
Question.
Question.
Question.
Question.
And don't stop questioning and question everything.
Do not take anything as being evidence unless you can really support it, cross-reference
it and support it and say, okay, that does seem to be correct from what we can see from
that.
But where there is any form of unsureity or any form of you see, because with the bones
in the river story, there was actually no evidence for it.
It had just been a story that had been repeated.
So it needed to be questioned.
And it was actually a historian called Dr. John Ashdown Hill, who was the first person
to really thoroughly question it.
And so that's what I'd say is you've got to be, again, it's laser focus on what we
know and what we don't know and be very clear about what we don't know.
Same for assumption.
The problem is, in my mind with what you just said, is it comes back again to this idea
of intuition and questioning?
Because without the intuition, you probably wouldn't have questioned anything like as
determinately as you did.
So it's interesting to think about, well, the role of that intuition in being able to
then confidently question and to say, well, there's no proof of that.
You can't prove until you could prove this intuition wrong, I'm going to keep going
with the intuition, even though you weren't saying that to people.
So it's an interesting, like we all have heard this idea.
We're supposed to ask questions in life.
We're supposed to challenge assumptions around us.
But for you, it seems like the intuition gave you the permission, the courage and the
clarity of what to question.
So before we get into how to ask those questions and how to make sure we're not absorbing those
stories, it's like they go together, somehow one begets the other.
Yeah, I think you've hit the nail on the head.
I think as an ordinary person who's not an academic, who's not a doctor, not a professor,
it gave me the permission that I needed to question and question hard and to continue
questioning and to ignore or put to one side what could be perceived as my elders and
betters telling me that I should believe.
The intuition authorized you.
Yeah, yes.
That's a good way of putting it.
It gave me an inner confidence to continue and to not let, because there was a lot of
naysayers, there was a lot of difficulties that I had to get past, there was a lot of
doors that got shut.
So it gave me the confidence, but it gave me the ambition to know because I needed to
know.
I needed to know if the King's grave was there.
I think there's a personal journey here with the intuition and the research and that which
we've discussed.
But I think also he's one of a very few former Kings of England who have or had no final
resting place, no tomb monument, no marker.
And I think a huge part of this journey for me personally was that if we found Richard
to rebury him with dignity and honor and to give him a tomb monument so that he would
be recognized again as an individual, as a former head of state, as a king, as a monarch,
but also as an incredibly brave man who died on the field of battle.
Because in terms of the reburial document that we produced prior to cutting the tarmac,
I'd gone to the Commonwealth War Graves Commission, which is the organization here in the UK.
And I think you have something similar there in America, which is responsible for reburying
our war dead.
And they were so gracious and kind with me and said, Philippa, we will share with you
under the strictest confidentiality, the process that we go through when we find the remains
of our fallen in battle and how we rebury them, how we honor them, how we do that.
And so I followed that process in the reburial document, giving Richard the same as that
we give a foreman today.
And because of that, because I gave this document to Buckingham Palace to the Queen's
office, because of that we got prior to cutting the tarmac, we got her blessing for the looking
for Richard Project because of the respectful manner in which it was being done.
So that was huge.
That was another huge moment that again kept me going, kept me wanting to do this.
Thank you, really, thank you for listening to part one of this conversation with Philippa
Langley.
What has stood out to you?
What is one thing that you can do immediately as a result of listening to this conversation?
Who is somebody that you can share this with so that you can increase your influence and
make it more effortless for you to take action?
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And I'll see you next time.
Bye.
in.
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